Their eldest daughter, Marie-Anne, married the playwright Georges Feydeau.Īfter 1870, he devoted himself almost entirely to portraits. He married Pauline Croizette, a pastellist and miniaturist who had posed for his painting "The Lady in Gloves" in 1869. They would meet once a month in Sèvres for a dinner "à la Japonaise". In 1867, he became one of the nine members of the "Société Japonaise du Jinglar" (a type of wine) a group that included Henri Fantin-Latour, Félix Bracquemond and Marc-Louis Solon. Upon returning to France, he was awarded his first gold medal at the Salon. During that time, he moved away from Courbet's style and became more interested in Diego Vélazquez. One of his early influences was the Realism of Gustave Courbet.įrom 1862 to 1866, he travelled to Rome and Spain, thanks to a scholarship granted by his hometown. That same year, he began attending the Académie Suisse, where he studied until 1861. In 1859, he had his first exhibition at the Salon. He went to Paris in 1853, where he adopted the name "Carolus-Duran". His first drawing lessons were with a local sculptor named Augustin-Phidias Cadet de Beaupré (1800-?) at the Académie de Lille then took up painting with François Souchon, a student of Jacques Louis David. He is noted for his stylish depictions of members of high society in Third Republic France. Charles Auguste Émile Durand, known as Carolus-Duran (Lille 4 July 1837 – 17 February 1917 Paris), was a French painter and art instructor.
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